BODIES OF WATER

BODIES OF WATER

Bodies of Water explore the relationship between water, pedagogy and design, emphasising the central role of water in social and environmental change. Through a multidisciplinary approach, it encourages a critical reflection on the climate crisis and sustainability, focusing on the Mediterranean region as a climate hotspot, analysing phenomena such as desertification, natural cycles and the intersections between ecology and politics, and exploring innovative solutions inspired by artistic, scientific and design methodologies.

It is a BIP promoted by ABADIR (lead institution) and coordinated by Giulia Colletti, curator and lecturer in Contemporary Art History, which involves two international partners:’University of Applied Arts Vienna (Austria) and the’Castelló School of Art and Higher Design Studies (Spain).

Bodies of Water is part of Waterschool South, a spin-off of the Waterschool founded in Rotterdam by Studio Makkink & Bey: an educational programme focused on the strategic importance of water as a finite resource, designed to trigger processes that stimulate cultural, academic and scientific progress for the improvement of the quality of life in Southern Europe and the Mediterranean basin.

«Rather than offering prescriptive answers, Bodies of Water fosters collective thinking processes, creating common ground between the humanities, social and environmental sciences and stimulating an integrated and interdisciplinary vision»

The first phase took place online between January and February 2025; from 17 to 21 March, the working groups arrived in Catania for a series of site visits and project activities, culminating in the final presentation of the projects.

Through a series of guided tours, we closely investigated the relationship between the city and water, a deep and ancient bond, sometimes hidden from view. Accompanied by INGV researcher Stefano Branca and a guide from the Etna ‘Ngeniousa Association, we retraced the history of the numerous underground water tables, among the Amenano fountain, the Gammazita well, Castello Ursino and the Achillian baths. Fabio D’Agata led us to discover the Santa Tecla Water Consortium, a former 19th-century water extraction and distribution complex.

Photo credits: Elisabetta Carrubba

All projects developed within Bodies of Water will flow into a collaborative digital archive: Wetscapes. The platform will promote the development, sharing and application of experimental and transdisciplinary methodologies that integrate the knowledge and practices of design, science, history and visual arts to tackle environmental challenges and contribute to the debate on European environmental policies, redefining the Mediterranean not as a border but as a space open to diverse visions to tackle the climate crisis.

Guest speaker

Liliana Adamo

Architect

Stefano Branca

INGV Researcher

Jurgen Bey & Rianne Makkink

Founder of Studio Makkink&Bey and Waterschool

Andrés Fredes

Founder of EPIC Ecological Innovation Hub

Chiara Ianeselli

Curator and Cultural Heritage Specialist

Serpil Oppermann

Lecturer in Environmental Humanities and President of EASLCE

Oscar Tuazon

Artist

Tutor

Giulia Colletti 

Professor in charge
Abadir Academy
Giulia Colletti is a curator and art historian, lecturing in Modern and Contemporary Art and Curatorial Studies and the Mediterranean (2024) at ABADIR. She was a Visiting Lecturer at Die Angewandte (2024). Co-curator of the biennale Mediterranea 19 – School of Waters, she developed an experimental pedagogical framework that rethinks the material and symbolic agency of water. By challenging eurocentric narratives and exploring water’s geopolitical significance, her work fosters collective knowledge and interconnected ecological approaches within curatorial practices.

Cristina Gabà

EASD Castelló
Cristina Gabà is Head of the Ceramics Department and a master instructor at Escola d’Art i Superior de Disseny de Castelló (EASD). She specialises in ceramic techniques that integrate traditional craftsmanship with innovative, sustainable practices. Gabà’s work explores ceramics’ potential to address water-related environmental challenges, emphasising adaptability and durability in design.

Marina Garcia-Broch

 

EASD Castelló

Marina Garcia-Broch is an architect and educator with expertise in industrial technologies and sustainable materials. Teaching Interior Design at EASD Castelló, she bridges research and practice by integrating ecological materials into design processes. Garcia-Broch addresses water conservation and sustainability through innovative applications in architectural and interior design contexts.

Ana Isabel Llorens Esteve

EASD Castelló

Ana Isabel Llorens Esteve is a ceramicist and workshop instructor at Escola d’Art i Superior de Disseny de Castelló (EASD). She investigates the intersections of ceramics with other disciplines, such as gastronomy and jewellery, highlighting their ecological and cultural significance. Her teaching and workshop practices emphasise the role of water in shaping sustainable, functional ceramic designs.

Gudrun Ratzinger

Die Angewandte

Gudrun Ratzinger is a curator whose projects explore the intersection of art, climate action, and sustainability. At Kunstraum Lakeside, she fosters artistic discourse on ecological challenges, emphasising water as a critical resource. Her leadership of the Technisches Museum Wien’s Climate. Knowledge. Action! exhibition highlighted the cultural and environmental importance of water conservation in addressing climate change.

Yona Catrina Schreyer

Die Angewandte

Yona Catrina Schreyer is an architect and researcher focusing on the environmental and social dynamics of urban development. At Die Angewandte, she leads the seminar Global Changes – An Atlas for Upending the World, which examines waterscapes as vital infrastructures. Schreyer’s work rethinks the geopolitical and ecological role of water in mitigating global challenges and fostering sustainable urban futures.