Generative Design: between Textile and Digital Print

Generative Design: between Textile and Digital Print

Generative Design: between Textiles and Digital Printing is a module of the CVAD Master's – First-level Master's degree in Visual Communication and Art Direction that weaves together creative coding, data visualisation and creative direction to develop visual systems that become material outputs. It is curated by Riccardo Mantelli and Emilio Leo in partnership with Lanificio Leo and Rubbettino Print, as part of the NIMI project – La Nuova Intelligenza del Made in Italy.

In the online phase, we start by generating patterns with p5.js and then move on to actual prototyping during the in-person workshop, using the electronic knitting machines of Lanificio Leo, Calabria's oldest textile mill.

Each of the projects developed by the Master's students in the 2024–2025 Academic Year it deals with sensitive themes, such as overtourism or migration, or interpretative concepts of local identity, starting from information and datasets that are analysed and translated into images, transforming their complexity into patterns, textures and surfaces. The final prints are therefore not simple graphics, but narrative devices that recount socio-cultural or contemporary phenomena.

Within the moduleor were they pThey also designed the packaging and the web interfaces dedicated to the various products, building a coherent and complete communicative ecosystem.

The textile prototypes produced by the wool mill were then exhibited at the NIMI Travel Exhibition.

The projects

CITY INVADERS

A project by Emanuela Alonzo, Matteo Bonaccorso, Ilaria Carcano, Nicolò De Donno, Maria Luisa De Nola and Federica Vitale

HYDRIA

A project by Fabio Damiani, Dania Menafra, Giusy Micali, Giulia Perrone and Simone Serrentino

MELTED MEMORIES

Project by Alexis Ciampechini, Ripalta Ciccone, Paolo Pasquale D’Amato, Giorgio Marinelli and Renata Rodriguez

I would like

Project by Enrico Manno, Andrea Pelliccioni, Diletta Ronconi and Manlio Sapienza

WARD THE SPACE

A project by Alessandro Didio, Isabella Fazio, Violante Salvatici and Andrea Torcasio

Photo credits: Andrea Torcasio

 

Participants: Emanuela Alonzo, Matteo Bonaccorso, Irene Caprioli, Ilaria Carcano, Alexis Ciampechini, Ripalta Ciccone, Paolo Pasquale D’Amato, Fabio Damiani, Alessandro Didio, Nicolò De Donno, Maria Luisa De Nola, Isabella Fazio, Yuliya Humenchuk, Regina Iaquinandi, Giorgio Marinelli, Dania Menafra, Enrico Manno, Giusy Micali, Andrea Pelliccioni, Giulia Perrone, Renata Rodriguez, Diletta Ronconi, Denise Russo, Violante Salvatici, Manlio Sapienza, Simone Serrentino, Andrea Torcasio, Federica Vitale.

 

The Generative Design course for the 2024–2025 academic year was organised by the Abadir Academy as part of the NIMI Project – The New Intelligence of Made in Italy, funded by the European Union Next Generation EU (NGEU) for the internationalisation of AFAM Higher Education Institutes under the National Recovery and Resilience Plan (NRRP) MISSION 4, COMPONENT 1, INVESTMENT 3.4, SUB-INVESTMENT T5. CUP: H37G24000080001.

 

Teachers

Emilio Salvatore Leo

An architect, he is chairman and creative director of Lanificio Leo. He has been creative director of Industrie Rubbettino since 2014 and, since 2024, also of Entopan. Since 2023, he has been teaching Textile Design and Textile Culture at the Academy of Fine Arts in Catanzaro.

With a particular interest in low-tech processes that carry strong cultural identity, the celebration of imperfection and the unconventional use of technology, he has designed numerous design objects and spoken at national and international conferences on the relationship between business and culture and on the dynamics of the design-focused as an innovation approach.

Riccardo Mantelli

Artist and creative technologist, he explores the intersection of ancient spirituality and digital languages, creating interactive installations and generative rituals that fuse artificial intelligence, sacred geometry and mystical symbolism. His works offer a contemplative vision of the digital, where code becomes a tool for introspection and connection. He studied sacred geometry and wisdom traditions at the Prince's Foundation School of Traditional Arts (London) and the Institute for Mediterranean Studies (FORTH). He is a lecturer at Domus Academy and NABA Milan.

Lanificio Leo

Lanificio Leo is the oldest textile mill in Calabria. Founded in 1873, today it is a contemporary design hub where a monumental park of historical machinery integrates with state-of-the-art technologies, in a vision that combines the enhancement of heritage and traditional craft skills with innovation. It is an internationally oriented brand focused on the expression of new languages, a manufacturing enterprise in continuous dialogue with the visual arts that sees project culture as the pivot around which to experiment, to constantly open up new horizons of possibility. Lanificio Leo is one of the most significant examples of a museum-company whose management model combines business with the tools of culture. Lanificio Leo, an ancient future.